My Favorite CDs of 2013

With my fiftieth year as a pop music consumer just completed and access to my blog regained, I shall henceforth set about naming my ten favorite albums of 2013 forthwith.

But first, a brief review.

Albums continued their sales decline, as our attention and time-challenged societies made singles their preferred mode of consumption. Retrospectives and archival live albums aimed at baby boomers continued to constitute an increasing percentage of album-length releases.

Ditto box sets and "re-imagined" re-issues, which at times seemed to endlessly recycle period albums into multi-disc extravaganzas costing hundreds of dollars.

But not all were wanton cash grabs.

My favorite box set was Fisherman’s Box, a six-disc chronicle of the protracted recording sessions which yielded the Waterboy’s 1988 LP Fisherman’s Blues. The band moves effortlessly from folk to blues to the sixties-inspired pop that Karl Wallinger specialized in after he left to form World Party.

A reviewer on Amazon called this the ‘Irish Basement Tapes’ and he wasn’t far off.

Given the magnificence of this music, you could be forgiven for wondering why the remainder of the Waterboy’s oeuvre isn’t more familiar. The vagaries of public taste, radio play and record company politics are the likely culprits (at least here in the U.S.), but whatever the Waterboy’s unfulfilled potential, Fisherman’s Box captures—however briefly—promise wildly and exuberantly fulfilled.

A tip of the hat goes to the multiple-disc edition of Bob Dylan's Self-Portrait, which shows this period to have been far-richer than some combination of Dylan and Columbia let on.

Robin Trower enjoyed a stellar solo career after leaving Procol Harum, plying Hendrix-inspired epics to rock audiences eager to continue that six-stringed ride.

State to State: Live Across America 1974 – 1980 offers an appealing cross section of live performances, including an exceptional 1974 show in Philadelphia. The inclusion of a fiery 1975 London show would make this just about perfect, but I’m not complaining.

And neither will you. It's the archival live album of the year.

In an era given to hip hop, rockified country and featherweight pop, rock refuses to die.

The following list reflects rock in all its current variants, along with examples of the rhythm and blues (admittedly of the blue-eyed variety) and country and western which flavored it along the way.

Time constraints forbid me from offering the capsule descriptions seen in years past. But I promise that all are worthy of your time and attention.


1. Big Scary – Not Art

2. White Denim – Corsicana Lemonade

3. Richard Thompson – Electric

4. Mogwai – Les Revenants Original Soundtrack

5. The Bamboos – Fever in the Road

6. Los Lobos – Disconnected in New York City

7. Waxahatchee – Cerulean Salt

8. The Veils – Time Stays, We Go

9. Emmylou Harris and Rodney Crowell – Old Yellow Moon

10. Daft Punk – Random Access Memories


Honorable Mention:

My Darling Clementine - The Reconciliation?

My Favorite CDs of 2010

Musically speaking, it was a good year for old guys. It was the year of re. As in resurgent. Reinvigorated. Renewed.

Tom Petty, John Mellencamp, Robert Plant (Band of Joy), Jimmie Vaughan, Los Lobos, Ron Wood, Neil Young and the late Solomon Burke all released their strongest work in years in 2010.

Which followed on the heels of last year’s compelling live album from Eric Clapton and Steve Winwood and 2008’s Robin Trower collaboration with Jack Bruce.

I’m tempted to say an impending sense of mortality has these guys digging down deep. That the realization that life isn’t an endless stream of twenty-something days has brought their priorities—like the face of death itself—into sharp focus.

On the other hand, it could be mere coincidence.

Of course, the young-uns were active, too. Best Coast, Plants and Animals, Jenny Lewis and Jonathan Rice (Jenny and Johnny), the New Pornographers and Robyn all released albums that require the warning Caution: may become habit-forming.

Lest you feel an eyeroll coming on at having to slog through yet-another year-end review, know that mine is the only one which doesn’t list Kanye West at number one or mention Nicki Minaj, pop-hop’s hook girl of the year.

Oh wait—I just did. Shit. So much for originality.

Several highly-anticipated disappointments (you know who you are) nonwithstanding, here are my ten favorite CDs of 2010.

1. Robyn Body Talk

I’m tempted to say this is the guiltiest pleasure I’ve ever installed at number-one. But that would be damning Robyn’s tough, brainy dance pop with faint praise.

The irresistible beats lure you to the dance floor while Klas Ahlund’s brilliant production colors Body Talk with bits of electronica, hip-hop and sound effects that elevate the hook-laden songs into the realm of pop-art.

Translated, that means it’s dance music you can stand to listen to even when you’re not dancing. Besides, when was the last time you heard Snoop Dogg drop a memorable cameo? Sexy, smart and the year’s best.

Check "Fembot" and the single, "Indestructible", which features the hottest, most reckless lyric of 2010. (I’m guessing you won’t need that Snuggie any longer.)

2. Robert Plant Band of Joy

Say what you want about the Led Zep-era posturing of Robert Plant, the dude takes his music very seriously. Instead of settling for a huge paycheck by endlessly recycling Zeppelin, Plant has spent the better part of the last fifteen years exploring the folk and Middle Eastern music that first inspired him.

With the stellar support of Patty Griffin and Buddy Miller, Band of Joy recasts songs by Low, Los Lobos and Richard Thompson into something that sounds like they’re wafting from a high plains jukebox, circa 1952.

Check "House of Cards" and the haunting "Silver Rider".

3. The New Pornographers Together

All this Canadian indie all-star band did was turn out another album filled with tuneful songs, inventive arrangements and sparkling harmonies with the same regularity that Robert DeNiro makes crappy script choices.

Were they anything but Canadian, egomania would have split them long ago. But like the joke says, all you need to do to clear a hundred Canadians from the pool is say please. And thank god for that.

Check "My Shepherd" and the epic album-closer "We End Up Together", which contains the faint trace of Magical Mystery Tour-era Beatles that runs through much of Together.

4. Los Lobos Tin Can Trust

Back in the mid-eighties, I tried to hip everyone I knew to Los Lobos by dragging friends to their rollicking live shows and making listening to …And a Time to Dance and Will the Wolf Survive? mandatory in exchange for the pleasure of my company.

I never figured I’d still be forking over cash for their latest and greatest a quarter-century later.

Tin Can Trust continues the twenty-first century revival begun by Good Morning Aztlan, and as the smoldering "Burn It Down" and the sober title track make clear, the 2000 box set was just a bit premature.

Los Lobos’ seasoned melding of rock, folk, blues and norteno is multi-cultural soul music. Check both of the aforementioned tracks.

5. Ron Wood I Feel Like Playing

Ron Wood solo albums happen like weird planetary alignments every decade or so. And when they do, they’re usually worth noting.

Recharged after a recovery from alcoholism, Wood brings his well-worn Dylanesque croak to this set of twelve songs that display the same rough-edged sense of groove that propelled his first (and best) effort, 1974’s I’ve Got My Own Album to Do.

Check "100%" and "Tell Me Something", which are the sort of mid-tempo crotch grinders the Stones don’t make enough of anymore.

6. Jenny and Johnny I’m Having Fun Now

This low-key gem, a collaboration between the Rilo Kiley lead singer and her longtime boyfriend Jonathan Rice often finds itself exploring the relationship dynamic with tart (but never bitter) results.

It doesn’t hurt that their voices go together like peaches and cream, or that the album is rife with sublime production touches applied with restraint and intelligence.

But like last season’s surprise playoff team, Jenny and Johnny won’t sneak up on anyone next time around. Which might take some of the fun out of the sequel—assuming there is one. So enjoy this while it lasts.

Check "Switchblade" and "Big Wave".

7. John Mellencamp No Better Than This

Like the former Led Zeppelin frontman, the former Johnny Cougar knows a bit about aging gracefully. Substituting intimacy for arena-sized bluster, Mellencamp proves a whisper is just as powerful as a scream. And that multi-tracking and overdubbing don’t necessarily give an album depth.

It’s stark, spare beauty is recorded in monaural, giving No Better Than This an emotional heft that falls somewhere between a nineteen-fifties Hank Williams EP and Woody Guthrie’s Dust Bowl Ballads LP.

Do yourself a favor and check the title track and "Save Some Time to Dream".

8. Plants and Animals La La Land

Montreal’s other band, Plants and Animals describe their music as post-classic rock. Imagining a less-bombastic Muse is probably a good place to begin.

As a result, La La Land is a bit like seeing an old girlfriend with a new haircut—the same, but different. Their melodic, textural pleasures are a treat, and mark Plants and Animals as a band to watch.

Check "American Idol" and "Game Shows".

9. Neil Young Le Noise

I’d love to see the look on people’s faces the first time they hear Le Noise. Yes, it's a Neil Young solo album. But no, the guitar that accompanies him isn’t a softly-strummed acoustic.

The combination of voice and electric guitar may seem off-putting, but it provides stark relief. The quiver in Young’s voice has never sounded more ghostly.

You’ll be so absorbed by Le Noise you won’t even care that "Sign of Love" nicks the riff from 1975's "Drive Back". Or that it’s technically not a solo album. (Producer Daniel Lanois added some post-production electronics.)

Check "Angry World" and "Love and War".

10. Best Coast Crazy for You

This L.A. trio isn’t doing anything revolutionary here; just executing classic forms like girl group pop and surf to sunny, lo-fi perfection. But it’s enough of a wrinkle that Crazy for You frequently finds its way into my CD player.

Check the title track and "Honey".


Honorable Mentions:

Solomon Burke Nothing’s Impossible

If there’s a silver lining in the cloud of Mr. Burke’s passing, it’s that he ended on the upswing of the good-album-bad-album cycle that marked his twenty-first century resurgence.

Tom Petty Mojo

I haven’t liked a Tom Petty album this much since the eighties, which is totally like all you need to know about Mojo.