Perhaps
the best and worst feature of photography is its ability to suspend
time. To forever freeze a moment. A personal favorite is the
exuberant sailor who spontaneously grabbed a nurse in Manhattan on
V-J Day and kissed her deeply.
The
unbridled joy of war ending never had a better expression.
Not
so joyous is the image of a young man, caught in the glare of
police lights and suddenly appearing as a vulnerable child just moments before he was shot to death.
In
the face of a hysterically over-reactive population, this tiny
moment, just milliseconds long, will act as permanent condemnation
of the Chicago Police Department and the officer who shot him.
Some
background: Chicago police, reacting to gunfire in the city's Little
Village neighborhood, came upon Adam Toledo and twenty-one year-old
Ruben Roman, fresh from firing their gun at cars.
As
gang-bangers are wont to do, Adam had custody of the gun since he
is—in the eyes of the law—a child. A foot chase ensued. As one
officer closed in on Adam, he was told to drop the gun and put his
hands up.
It's
critical to note the officer was over his left shoulder.
At
a gap in a high wooden fence, Adam, holding the gun in his right
hand, made a barely discernible underhand toss of the gun on the side
of the fence not visible to the officer. Even in slow motion the
action is hardly visible—never mind at a full-tilt sprint down a
shadowy alleyway at two-thirty in the morning.
Having
relieved himself of the gun, Adam begins to turn towards the officer,
simultaneously raising his hands.
It
was while doing this that he was shot.
If
you're a member of the portion of society that acknowledges reality,
it's completely likely that given the angles at hand, the pursuing
officer never saw Adam dispose of the gun. With his last bit of
visual data being that Adam had a gun, his turning toward the officer
could only be construed one way.
If
it is true with us, it is doubly true of officers in the
pressure-cooker of a pursuit that we are rarely afforded the luxury
of a slow motion replay before we make critical decisions. The
officer didn't wantonly assassinate Adam Toledo. He was reacting to a lethal
and immediate threat.
With
canonization seeming set for this week, popular opinion sides
overwhelmingly with Adam and his aged-based innocence. Mentions of
his age far outweigh recitations of the fact that just minutes
earlier he was randomly shooting at cars and was in possession of the
gun.
Also
lost is the fact that Adam decided to run, thereby initiating the
chase and had disposed of the gun in as secretive a manner as he
could manage.
Ask
yourself: how would this story be different had Adam tossed the gun
on the side of the fence visible to the police officer? It was a
light-colored fence and the airborne gun would have been
clearly-visible against it.
But
Adam didn't. He was thinking like a gang-banger and sought to hide
the evidence.
Also
keep in mind this sequence played out in real time, not slow motion.
Over a period of—perhaps—two seconds. It was a perfect storm of circumstance.
But
before we re-name everything in Toledo's memory and declare March 29th
a national day of remembrance, I hope we give a few seconds to the
realization that Toledo and Toledo alone set these events in motion when
he decided to hang with Ruben Roman.
Once
and for all it was a pitiable decision by a boy who had no business
making it. But he's hardly the first person to die as a result of a
bad decision. And he won't be the last.
Heartless?
Maybe.
But
I reserve my deepest, most gut-twisting sorrow for murder victims who are innocent. Which sadly, cannot be said of Adam Toledo.